The Cards
I started making cards for family and friends when I was a student and couldn’t
afford to buy everyone presents. Since this was all they’d be receiving
from me, I wanted to make them more than just the simple card with a straightforward
message and/or punch-line. In fact, I used as few lines of writing as possible,
because I had heard that a picture is worth exactly one thousand words.
In a single illustration, I wanted to give them a mini story with absurd
and amusing details that merited more than just a quick glance. Most cards
get lost with the envelope they come in, but I wanted mine to be saved and
savored like fine grape juice.

Ryan
Klemek grew up in suburban upstate New York, where there was very little stimulation.
To fend off the boredom, one had to develop one of two things: creativity or
alcoholism. Fortunately, Ryan developed the former. And even more fortunately,
he was in a public school system that valued the arts. In high school Advanced
Studio art, Karen Fisher and Susan Stuart taught him everything he would ever
learn about observational drawing. They inspired him to go on to art school,
and he ended up at the School of the Museum of Fine Art. While he learned very
few actual skills here, the Museum School definitely opened his mind. This was
also where he would discover
Kaiju Big Battel,
which would later provide an opportunity for him to combine his love of staged
combat with his absurd sense of humor and love of pop culture. During the summer,
Ryan worked as a caricature artist for a company known as Fun Enterprises. This
type of work helped develop his line control, which would later come in handy
for the book illustrations he would do. The painting style featured in the greeting
cards started to develop after he finished school. Watercolor was initially
chosen for convenience, as it takes less set-up and clean-up time, and there
are no dangerous fumes. In addition, watercolor blocks are cheaper than canvas,
and paper is much easier to scan for the computer. The use of watercolor gives
a children's book illustration quality which completements the absurd and often
dark subject matter, and is unique to greeting cards.
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